One of the obvious aspects of podcasting is using your voice. And using it properly. If you’re looking for some more information about how to improve your voice technique in your podcast, I’d suggest checking out the Voice Over Experts Podcast from Voices.com.
The very popular among podcasters audio recording application, Audacity has received an update. Podcasting News has a full rundown of the changes, including many bug fixes. It is nice to see some interface fixes, too, as I’ve felt Audacity has always suffered on the UI side.
Don’t forget that I’ve put together the finest collection of gifts for your favorite podcasting friend, family member, neighbor, or stranger! This isn’t just a list for holiday gifts, but great to find something to buy for a birthday gift or something for yourself, too. Filled with books, hardware and more, the store is broken out into … Continue reading »
Ryan Irelan, Editor - listen@podcastfreeamerica.com
There’s one thing I know well: recording a great sounding voice over is difficult.
Some tips that I found useful:
La Voz… (How To Achieve a Great V/O Without a Great Studio Setup)
Getting a good voiceover seems to be a mystery for some digital storytellers. This spawns from a wide variety of reasons that can usually be narrowed down to three basic issues;
- Poor monitoring or recording environments
- Lack of knowledge
- Lack of understanding existing tools.
A good voiceover recording doesn’t require that you have expensive gear or a super-well designed recording room, nor does it require a tremendous amount of schooling to achieve. Common sense, a little effort, and a trained ear are necessary, and everything else is gravy.
To the uninitiated,recording an announcer or “voice-over” artist would seem to be relatively simple compared to other things audio. But for those who have done it, it’s a creative/technical task not to be taken lightly. Speech sounds are harmonically and dynamically complicated because of the way vocals are produced-by the chest; lungs; diaphragm; larynx; the oral cavity, including the tongue, hard and soft palates, the teeth and lips, the nasal cavities; and by the dynamic interaction of all those elements through time. Explosions of air bursting from the mouth, the lips and tongue can sound wet, and “sss” sounds can overmodulate a track.
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